IMedia 2 also introduces the ability to switch between different views of your media. (Use the contextual menu - control-click - to see important attribution information for the photo. If the photo is marked as "downloadable," you can just grab it and drag the thumbnail to your application iMedia 2 will grab and download the large-size version for you. It's so easy now to just search for photos on Flickr. We were even able to do this over the Internet with the included Flickr Browser that's now part of the Photos module. IMedia 2 also browses large collections of media asynchronously, again keeping the interface fast and responsive. Access to your media libraries should now be a lot faster. We did this by making the browser load media as "lazily" as possible, meaning that no time is spent loading anything until it is really needed for display. The big goal for iMedia 2 was to make it much, much faster. IMedia 2 is a huge rewrite, with many aspects re-written from the ground up. From there, Peter Baumgartner of Boinx Software really spearheaded development so that he could include it in the next version of FotoMagico. Work on iMedia 2 started a couple of summers ago when a group of developers got together for lunch at Apple's Worldwide Developers Conference (WWDC) and mapped out what we all wanted for the next big version. Purchasing products and services through these links helps support our efforts to bring you the quality information you love and there’s no additional cost to you.Today we are pleased to announce iMedia Browser 2, available, for free, exclusively on the Mac App Store. *The Current Photographer website contains links to our affiliate partners. You can download a trial or purchase Posterino from Zykloid Software’s website, or from the Mac App Store. Having said that, those who do choose to purchase Posterino will be presented with a slick, well-made app, which produces pleasing results. Despite the customisation options, the lack of more inbuilt templates (or even the ability to download more) does make me feel that Posterino is (at least, in its current form) overpriced. contrast, sharpening etc).Īt $29.99 (£20.99), you have to be serious about quality virtual collaging to want to buy Posterino. Not that I would recommend the latter, given the very limited nature of the effects – other than turning an image to black and white, all the other effects are simply methods of correcting a poor image (e.g. Placing or editing the layout of a project is a smooth, iWork-like experience, with snap-to-grid guides, and the ability to add effects to images after they have been imported to the project. Again, the highest praise I can give is that I would actually consider printing out some of the layouts in Posterino and sticking them to the wall – that from an e-card sceptic. The “365” Posterino allows a picture for every day of the year, whilst the “Four Seasons” photo frame allows an image for each season. The ‘Posterinos’ – the term used in this app to describe the various types of collage – come in a number of shapes and styles. The photo frames present pictures in stylish and interesting ways. Unlike most e-cards, I can actually imagine myself sending Posterino’s e-cards to people as a way of sharing images. When you open a new project, a sleek interface is presented, and there are a number of different categories of project types that can be selected: blank, e-cards, photo frames or “posterinos.” Due to the formidably large array of customisation options available for projects (colour, frame size/position/colour, font etc), virtually any layout is possible, although most of the time, there is no need to stray from the templates. Posterino tries to raise the bar in this genre. Many of these produce results that are less than attractive. There are many simplistic collage apps out there, allowing for images to be slung onto an imaginary piece of paper.
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